Hamlet:
The Requiem

An Original Adaptation
Written and Directed by Anthony Abraira

September 14th 24th, 2023

Shakespeare & Friends presents an original retelling of Bard’s most evocative tragedy. Hamlet: The Requiem will premiere in three cities across the Carolinas this fall.

Asheville, NC
September 14 & 15
Ella Events

Spartanburg, SC
September 16 & 17
Mayfair Art Studios

Tryon, NC
September 21-24
Tryon Depot

  • Hamlet: Hillary Fleming
    Polonius: Mark Sawyer
    Reynaldo/Player 3: Jess Holderbaum
    Ophelia: Alannah Updegraff
    Laertes: Luke Laughter
    Claudius: Lavin Cudihee
    Gertrude: Lori Corda
    Horatio: Iman Qatawi
    Marcellus: Andy Millard
    Ghost/Player 1: Jim Powell
    Guildenstern/Grave Digger 2: Chris O'Connor
    Rosencrantz/Grave Digger 1: Darlene Cah
    Player 2: Cathy Fischer
    Priest: Jennifer Monterisi

  • Director/Playwright: Anthony Abraira
    Production Manager: Michelle Newman
    Assistant Production Manager: Catherine Gillet
    Technical Consultant: Montana Kern

  • All performances start at 8 PM.

    House opens 30 minutes prior to showtime.

    Each performance offers open seating; come early to select your seat.

    Hamlet: The Requiem is presented without an intermission.

  • Asheville performances will be held at Ella Events, 81 Broadway Street. Paid parking is available along Broadway Street, or the nearby Rankin Avenue or College Street parking decks. A cash bar will be available for the Asheville performances.

    Spartanburg performances will be held at the Mayfair Art Studios, 1885 Hayne Street. There is limited, free parking available so carpooling is encouraged.

    Tryon performances will be held at the Tryon Depot, at 22 Depot Street. Free parking is available in the adjacent lot or along the street.

  • Hamlet: The Requiem contains all the mature themes from the original play, including violence, murder and suicide. This adaptation includes simulated gun violence. All ages will be admitted, but parental discretion is advised.

  • Additional photos, b roll, and interviews with the cast or director are available at any time. Please text or call Production Manager Michelle Newman at 828-817-2897 for arrangements.
    Click here to download media assets.

  • If you require additional details, please contact us.

Shakespeare & Friends breathes new life into William Shakespeare’s classic tragedy Hamlet with a captivating adaptation by Anthony Abraira. Titled simply Hamlet: The Requiem, this fresh take on the timeless play aims to engage both traditional enthusiasts and the digital generation with its tour de force plot, shortened duration, and minimalist staging while maintaining the poetry of Shakespeare’s language.

Director Anthony Abraira describes the production as "a witnessing rather than a performance, aiming to create a unique and intimate connection between the audience and the world of Hamlet. No intermission will intensify the dramatic tension, ensuring spectators remain fully-engaged from beginning to end. It’s a beautiful row of dominos is set, ready to fall at any moment."

While the original lines were written by Shakespeare, they have been cleverly rearranged and, at times, reassigned to different characters, seamlessly exemplifying the Bard's poetic genius with a familiar meter for modern dialogue that catches the ear.

In addition to its innovative storytelling and captivating performances, the production of Hamlet: The Requiem by Shakespeare & Friends promises to create an immersive and cinematically scored world.

“The room doesn't go silent for the entire play,” said producer Michelle Newman. “We’ve created an atmosphere that captures multiple energies and narratives with a carefully curated sound bed.”

In a departure from traditional gender role assignments, the titular role of Hamlet will be skillfully portrayed by Hillary Fleming. Fleming's captivating performance promises to offer a fresh perspective on Hamlet's inner turmoil, challenging conventional expectations and delivering a powerful portrayal.

"With the cast so close, audiences are stirred up,” said Fleming. “There is nowhere to run. But in a place like that you don't have to be a loud actor, you don't have to ham it up. It's hyper-realistic at times.”